May is officially the Asian American Pacific Islander Heritage Month in the US and this month, I’ve decided I’m going to read romance novels featuring heroines of Asian descent. Before today, I’ve only read a few, among them Nalini Singh’s Rock Courtship, Alisha Rai’s Pleasure series, The Bollywood Bride by Sonali Dev, Lora Leigh’s Wicked Pleasure, Jaci Burton’s Midnight Velvet, and Fobolous by my friend Rainne Mendoza.
My Goodreads search proved to be frustrating as there are very few books that answer to the criteria – 190 if you include South Asians. Amazon is not much help either – only 40 are listed and most of the heroines are half something else.
It’s no wonder that 63% of those who answered the Dangerous Books for Girls survey said (they) “…think there is not enough diversity in characters and settings…”. It’s true, there’s not.
In the same study, it was learned that there were over 9,500 Romance ISBNs in 2013. Very likely, that figure went up in 2016. If I would hazard a guess, the number of those books who have Asian/Pacific Islander heroines would be pitifully small, could only be just a handful. Why? Are people not buying them? The Romance genre is a Billion-dollar industry and there’s no market for novels with my kind of protagonists? That’s sad and I refuse to believe that.
According to the 2010 US Census Bureau Statistics, over 3.3 Million American husbands have Asian wives. If only a small fraction of those wives read romance novels, that’s still a substantial number who may want to see their stories told in books. Toni Morrison said, “If there’s a book you really want to read, but it hasn’t been written yet, then you must write it.” So, that’s what I’m doing, I’m writing their story.
I’m writing MY story.
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